pga56 vs sm57
If the model required cannot be found on this site, please contact Sales. The cardioid pickup pattern ensures ‘clear reproduction’ in ‘close-miking applications’. Next up on our list we have this Sennheiser MD 421 II Snare Drum Microphone that truly excels as one of the best snare drum mics for live and in the studio, and being one of the best-known microphones in the world. This microphone is truly the industry standard for both live performance and recording. Switchable high and low impedance, plus lockable on/off switch. Requires 12-48V phantom power. It’s dependable, versatile, well built and you can always count on it to deliver great sounding results. BETA 98D/S includes: RPM626 inline preamp, A98D drum mount, 4.6m ‘heavy duty’ cable, windscreen, and zippered bag Sensitivity: -48.5dBV/Pa, 3.8mV. This microphone utilizes a 5-stage bass switch that offers flexible bass attenuation allowing the microphone to be used in a variety of situations around the drum set. Funny how I've heard some engineers say the exact opposite about the 57. The Shure PG56 is an impressively small microphone designed specifically with drums in mind. Can also be found as part of the PGADRUMKIT4 and PGADRUMKIT6 packages. Sensitivity: -55.5dBV/Pa, 1.5mV. Weight: 470g. These mics are staples in professional recordings. The models shown here are described by Shure as 'best suited to' instrument applications. Weight: 186g. PGA81 has been designed for use with overhead drum or hi-hat applications. Frequency response: 50Hz - 15kHz. I would suggest spending a little more and investing in the Shure SM57 but this is a solid microphone for the price. Frequency response: 20Hz - 20kHz. Output impedance: 146ohms. Manufactured from die cast metal in a dark grey matte finish, SM57 has been designed for the close-miking of snare drums, guitar amplifiers, or brass instruments. Use them as overheads and they do fine. This Shure PG snare drum microphone has been designed to reduce feedback and background noise, and it delivers rock-solid sound and reliability no matter the application for its use. It is just as rugged and versatile, but delivers more depth and punch. Frequency response: 20Hz - 20kHz. AUDIX i5 vs SHURE SM57 (Snare Top) I think the i5 is way clearer but doesn't have the body of the 57. Hell even ona bass drum they dont do too bad. Sensitivity: -51dBV/Pa, 2.8mV. This is a great value snare drum mic that does not compromise on quality or reliability. ... Shure PGA56. The Beta 52a has been designed for kick drum and bass amplification applications. Some vocalists even prefer it ahead of its cousin, the SM58. A complete set of drum microphones including 1x BETA 52A, 3x SM57, 2x A56D universal drum mic mounts, 1x case. You’ll find it being used to mic up everything from toms and snares, to brass instruments and guitar amplifiers. Shure are undeniably one of the most prolific mic brands in the world, and perhaps the king of the dynamic mic. Output impedance: 150ohms. WB98H/C has the same properties as the BETA 98H/C, however it is terminated with TA4F connector for wireless transmitter compatibility. Beta 57a has been designed for kick drum miking application, however it is also a useful microphone for piano and boundary miking where low frequencies are produced. The Neodymium magnet inside the Beta 56a allows a high signal-to-noise ratio output. The SM-57 is the perfect mic. If you are looking for the best snare drum microphone with only a small budget then you cannot go wrong with this microphone. SHURE PGA56-XLR MICROPHONE Instrument, cardioid, dynamic, for snare or tom, inc XLR lead and mount, SHURE PGA57-XLR MICROPHONE Instrument, cardioid, dynamic, for snare or brass, inc XLR lead, SHURE PGA81-XLR MICROPHONE Instrument, cardioid, condenser, for overhead, inc XLR lead, SHURE PGA52-XLR MICROPHONE Instrument, cardioid, dynamic, for kick drum, inc XLR lead, SHURE SM57-LCE MICROPHONE Instrument/vocal, cardioid, dynamic, for snare/guitar cab/brass, SHURE SM81-LC MICROPHONE Instrument, cardioid, condenser, for piano/acoustic guitar/cymbals, SHURE SM94-LC MICROPHONE Instrument, uniform cardioid, condenser, for strings/cymbals/woodwind, SHURE BETA 52A MICROPHONE Instrument, supercardioid, dynamic, for kick drum/bass amplification, SHURE BETA 56A MICROPHONE Instrument, supercardioid, dynamic, for snare/tom/guitar cab, SHURE BETA 57A MICROPHONE Instrument/vocal, supercardioid, dynamic, for snare/brass/guitar cab, SHURE BETA 91A MICROPHONE Instrument, half cardioid, condenser, low profile, for kick drum/boundary, SHURE BETA 98S MICROPHONE Instrument, supercardioid, condenser, miniature, for percussion/wind/piano, SHURE BETA 98H/C MICROPHONE Instrument, supercardioid, condenser, for strings/wind/piano, with clip, SHURE BETA 98D/S MICROPHONE Instrument, supercardioid, condenser, for drums/percussion, with clamp, SHURE WB98H/C MICROPHONE Instrument, supercardioid, condenser, for brass/strings, with clip, TA4F, SHURE 545SD MICROPHONE Handheld vocal dynamic, cardioid, with switch, SHURE 520DX GREEN BULLET MICROPHONE Instrument, omnidirectional, dynamic, for harmonica, SHURE PGADRUMKIT4 MICROPHONE SET Drum set, 2x PGA56, 1x PGA57, 1x PGA52, case, includes cables, SHURE PGADRUMKIT6 MICROPHONE SET Drum set, 2x PGA56, 1x PGA57, 1x PGA52, 2x PGA81, case, inc cables, SHURE DMK 57-52 MICROPHONE SET Drum set, 3x SM57, 1x BETA52, 3x A56D, case. This microphone is the weapon of choice for many professional, world-renowned engineers and music producers thanks to its well-balanced tone and ultra-premium sound quality. Output impedance: 290ohms. The large diaphragm, dynamic element handles high sound pressure levels very well making it a natural choice for recording drums. A seemingly ubiquitous microphone, it’s found in every studio, live venue and not to mention it being owned by almost every recording producer or engineer. Use them on snares and they do fine. Pearl BRX Vintage Sunburst and Tama Crestar Heather Metallic, http://www.thepitsrock.com/drum%20dynamic.mp3, If this is your first visit, be sure to I dont have samples but I own the SM57 and Beta-52. Shure microphones are renowned for their use in professional applications, for their high quality sound reproduction and durability. Output impedance: 290ohms. The included drum mount allows the user to mount the microphone directly to the rim of the drum whilst the swivel joint – similar to that found on a quick release bicycle wheel – allows fast and easy positioning.
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